A quick look at my list
could tell you a number of things about my tastes, and even tells me things I
didn't even realize until I stacked them up. What most of these novels seem to
have in common are morally ambiguous protagonists. Many of them are
pragmatists, but solve problems and deal with situations on the fly instead of
deliberately. In Hornby’s A Long Way Down, many of the characters are
fatalistic as they all meet on the roof of an infamous London flat to kill
themselves. Upon spending time with each other, they find love, self worth, and
bittersweet resolve understanding that the world isn’t perfect and no one would
care if they died as much as no one cares that they live. All the characters in
all my selected novels have similar epiphanies, and despite a jaded view of the
world, become better people.
They also all have
fantastical elements, but are told through a realistic lens. In House of
Leaves, Danielewski paints an alternate 1996 where a Los Angeles tattoo artist
is deeply affected by a document he found in an old man’s apartment that
portrays a photojournalists struggle with a house that is bigger on the inside
than on the outside. The tattoo artist becomes obsessed with the work, trying
to hunt down anyone who has worked on it to no avail. The document ruins his
life, but not before making him a more motivated, patient person who even grows
into a comfortable sexuality by the end of the novel. He learns to sever ties
with his mentally ill mother despite his ability to slip into moods where he
believes himself and his issues to be an extension of her. The novel itself is
littered with postmodern touches such as footnotes and hastily scrawled notes
as the tattoo artist tries to make sense of it all. This postmodern approach is
also similar to Pynchon’s work with Crying of Lot 49 as many of the characters
and events are named after real life events or conditions that mirror the
characters actions. Paranoia is a common theme amongst both of them. In a
somewhat disturbing revelation, one could posit that I like broken, ambiguous
heroes with paranoid qualities. Another novel that realistically portrays the
fantastical is Snow Crash. It follows a hacker named Hiro in a near-future
America split up into city states. The nation is on the edge of an
“infocalypse” where privatized corporations can directly control the
population. What is perhaps most haunting is that, while written in 1993, many
of the events in Snow Crash (such as privacy becoming a commodity) have and are
currently occurring.
Each of these novels
offers an intense view on personal internal conflicts. Many of these characters
are mentally ill, but in a way that society accepts because it boils just below
the surface. When following these characters for the short amount of time the
reader has, it is discovered they spend a great deal of time hiding their
internal flaws and dark secrets.
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